Welcome! أهلا بك! Welkom! Bienvenue! स्वागत हे! Bienvenido!

My name is Joshy. I am 16 years old and I am from New Zealand. Four years ago, I moved from Auckland to the United Arab Emirates and I started IB at Raha International School. I am very passionate about the Psychology Field and I aspire to become a psychiatrist. My interests are swimming, photography and I love traveling very much. My mother tongue is Creole(slang version of French) although I can speak a little bit of Arabic.

I feel that literature helps to understand the purpose of a certain text and literature form and explore imagination within the text and the writer. Literature can often make a personal connection with the reader's life, and relate to the characters from the text.

I enjoy reading non-fiction type of books as this form of literature helps me to understand the real world around me, or know about the real world situations.

A quote I live by is: 'Doubt kills more dreams than failure ever will'.

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How are violence and brutality used in Chronicle of a death foretold? What does their use reveal? | ENGLISH LITERATURE

The violence and brutality used in this novel depict the life and times of the people of that particular region. Marquez's Chronicle of a Death Foretold centers on the brutal and public killing of Santiago Nasar by Picario twins (Pablo and Pedro) to avenge the "honor" of their sister Angela, who is returned only six hours after her marriage to Bayardo San Roman. Violence and brutality are themes throughout the novel as the narrator tries to figure out what led to this murder twenty-seven years ago. It's not clear if Santiago was falsely accused by the Picario twins or not. The Picario twins let everyone in the town know their intentions before publicly executing Santiago on his very doorstep. The fact that nobody stopped them as a crowd gathered to see if Pedro and Pablo would actually carry out the deed and that Santiago's own family shut their doors on him shows that "honor killing" was an integral part of the society. There is another subt

Banksy (ART) | THEORY OF KNOWLEDGE

Do artists have a moral responsibility to act as a voice for individuals/communities to communicate with the wider world, or for groups/campaigns/ideologies to spread a message? Or, alternatively, do artists actually have a moral responsibility to be objective and stay out of politics, religion, and dogma in order that their art is accessible to everyone? The responsibility of an artist is to highlight the events/moments for the outside world. One of the important features in an artist's career is the ideas and meaning behind their project. Each artwork is made for a particular reason and the meaning of art could be about anything, as it is up to the viewers to interpret and understand it with their own perception. Art can depict anything to an audience because art is a form of personal expression Banksy has captured the interest of art lovers, activists, and graffiti artists around the globe. His mysterious identity (and refusal to use social media accounts

Nora:The Manipulator (A Doll's House) | ENGLISH LITERATURE

In Henrik Ibsen's A Doll House, decision-making is clouded by the manipulation caused by certain characters. Manipulation is a form of control over another person without either their consent or knowledge. In act two, Nora tries to manipulate Torvald when he explains to her why Krogstad must be dismissed. Nora thinks of Torvald as being narrow-minded. "Nora: ... it is such as narrow-minded way of looking at things. Helmer: What are you saying? Narrow-minded? Do you think I am narrow-minded ? (Ibsen 35)" It was impossible for Nora to stop Torvald from firing Krogstad. Krogstad placed a letter in the mailbox revealing all of Nora's misbehavior. Nora tries to increase the time when Torvald does not know about the letter and this is seen when she pleads to Torvald to not check the mailbox. She continuously says that she cannot practice for the dance without her husband. This can be seen on page 45 of the pla y. "Nora: help me, Torvald. Promise that you

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